{"id":1853,"date":"2022-12-14T21:43:31","date_gmt":"2022-12-15T00:43:31","guid":{"rendered":"http:\/\/premioledamariamartins.com\/?page_id=1853"},"modified":"2022-12-14T22:00:03","modified_gmt":"2022-12-15T01:00:03","slug":"1853-2","status":"publish","type":"page","link":"https:\/\/premioledamariamartins.com\/index.php\/1853-2\/","title":{"rendered":""},"content":{"rendered":"<div id=\"pl-1853\"  class=\"panel-layout\" >\n<div id=\"pg-1853-0\"  class=\"panel-grid panel-has-style\"  data-style=\"{&quot;cell_alignment&quot;:&quot;flex-start&quot;,&quot;align&quot;:&quot;&quot;,&quot;background_image&quot;:false,&quot;overlay&quot;:&quot;&quot;,&quot;overlay_color&quot;:&quot;#000000&quot;}\" >\n<div style=\"padding: 100px 0; \" data-overlay=\"true\" data-overlay-color=\"#000000\" class=\"panel-row-style panel-row-style-for-1853-0\" >\n<div id=\"pgc-1853-0-0\"  class=\"panel-grid-cell\"  data-weight=\"1\" >\n<div id=\"panel-1853-0-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"0\" data-style=\"{&quot;background_image_attachment&quot;:false,&quot;background_display&quot;:&quot;tile&quot;,&quot;content_alignment&quot;:&quot;left&quot;,&quot;title_color&quot;:&quot;#443f3f&quot;,&quot;headings_color&quot;:&quot;#443f3f&quot;}\" >\n<div style=\"text-align: left;\" data-title-color=\"#443f3f\" data-headings-color=\"#443f3f\" class=\"panel-widget-style panel-widget-style-for-1853-0-0-0\" >\n<div class=\"so-widget-sow-editor so-widget-sow-editor-base\">\n<h3 class=\"widget-title\">SUTURAS (2022)<\/h3>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n<p><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1852 size-medium alignleft\" src=\"https:\/\/premioledamariamartins.com\/wp-content\/uploads\/2022\/12\/img-edicoes-PLLM-2022-300x300.png\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/premioledamariamartins.com\/wp-content\/uploads\/2022\/12\/img-edicoes-PLLM-2022-300x300.png 300w, https:\/\/premioledamariamartins.com\/wp-content\/uploads\/2022\/12\/img-edicoes-PLLM-2022-150x150.png 150w, https:\/\/premioledamariamartins.com\/wp-content\/uploads\/2022\/12\/img-edicoes-PLLM-2022-768x768.png 768w, https:\/\/premioledamariamartins.com\/wp-content\/uploads\/2022\/12\/img-edicoes-PLLM-2022-1024x1024.png 1024w, https:\/\/premioledamariamartins.com\/wp-content\/uploads\/2022\/12\/img-edicoes-PLLM-2022-370x370.png 370w, https:\/\/premioledamariamartins.com\/wp-content\/uploads\/2022\/12\/img-edicoes-PLLM-2022-830x830.png 830w, https:\/\/premioledamariamartins.com\/wp-content\/uploads\/2022\/12\/img-edicoes-PLLM-2022-230x230.png 230w, https:\/\/premioledamariamartins.com\/wp-content\/uploads\/2022\/12\/img-edicoes-PLLM-2022-350x350.png 350w, https:\/\/premioledamariamartins.com\/wp-content\/uploads\/2022\/12\/img-edicoes-PLLM-2022-480x480.png 480w, https:\/\/premioledamariamartins.com\/wp-content\/uploads\/2022\/12\/img-edicoes-PLLM-2022.png 1080w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<p>Tema que orienta a sele\u00e7\u00e3o dos projetos c\u00eanicos premiados<strong>,\u00a0<\/strong>referenciado em ROSANA PAULINO.<\/p>\n<hr \/>\n<p>a ideia de sutura que eu vou trabalhar n\u00e3o \u00e9 costura, n\u00e3o \u00e9 bordado, \u00e9 sutura&#8230; pensando no ponto de vista m\u00e9dico da sutura como uma coisa violenta, uma coisa que amarra, uma coisa que eu ainda vou trabalhar muito em \u201crefazimento\u201d dessas pessoas e desses corpos que cruzam o atl\u00e2ntico. Lembra Maria Magdalena Campos-Pons tamb\u00e9m com as ideias de cruzamento, de cruzar o atl\u00e2ntico. Ent\u00e3o, como \u00e9 que essas pessoas se refazem num ambiente in\u00f3spito, muito adverso e ainda assim conseguem implantar uma cultura. (Trecho da fala de Paulino no v\u00eddeo \u201cMASP Palestra 2019 | Artistas negras brasileiras: desafios contempor\u00e2neos | 10.8.2019\u201d)<\/p>\n<hr \/>\n<p>07 de dezembro de 2022.<br \/>\nLocal: Conservat\u00f3rio de M\u00fasica da UFMG<br \/>\nHomenagem: Rosana Paulino<br \/>\nCuradoria: Denilson Tourinho<br \/>\nJ\u00fari 2022: Alessandra Brito e Marcos Alexandre<\/p>\n<hr \/>\n<p>Pr\u00eamio: trof\u00e9u, certificado e livros: \u201cAfrografias da Mem\u00f3ria &#8211; O Reinado do Ros\u00e1rio no Jatob\u00e1\u201d, \u201cPerformances do Tempo Espiralar &#8211; po\u00e9ticas do corpo-tela\u201d e \u201cO In\u00edci O \u2013 Anderson Feliciano e M\u00e1rio Rosa\u201d.<\/p>\n<p>Mestra de Cerim\u00f4nia e apresenta\u00e7\u00e3o art\u00edstica: Elisa de Sena.<\/p>\n<p>Patroc\u00ednio: BDMG Cultural<\/p>\n<p>Apoio: Conservat\u00f3rio de M\u00fasica da UFMG e Aqui Tamb\u00e9m \u00e9 meu Quilombo.<\/p>\n<p>Parceria: Cerbambu, Editora Perspectiva, Editora Cobog\u00f3, Anderson Feliciano e M\u00e1rio Rosa, Kitutu Gourmet e Aldo Cl\u00e9cius.<\/p>\n<hr \/>\n<p style=\"text-align: center;\"><strong>Projetos c\u00eanicos premiados em 10 categorias do Pr\u00eamio LMM 2022<br \/>\n<\/strong><em><u>categoria, espet\u00e1culo, ano de estreia e localidade<\/u><\/em><\/p>\n<p>ENCRUZILHADA &#8211;<strong> \u00c1rea: dire\u00e7\u00e3o.<br \/>\n<\/strong><strong>Quem \u00e9 que guia? Quem \u00e9 guiado?<\/strong> \u2013 2022 (MG)<\/p>\n<p>MURIQUINHO &#8211; <strong>\u00c1rea: infantojuvenil.<br \/>\n<\/strong><strong>Fonte <\/strong>&#8211; 2021 (MG)<\/p>\n<p>ORALITURA &#8211; <strong>\u00c1rea: texto &#8211; trilha sonora.<br \/>\n<\/strong><strong>R\u00e9cita N\u00ba 1 <\/strong>&#8211; 2022 (MG)<\/p>\n<p>CORPO ADERE\u00c7O <strong>&#8211; \u00c1rea: dan\u00e7a.<br \/>\n<\/strong><strong>Abre caminho &#8211; <\/strong>2019 (MG)<\/p>\n<p>PERFORMANCE DO TEMPO ESPIRALAR &#8211; <strong>\u00c1rea: performance.<br \/>\n<\/strong><strong>Manequim 50 ou a descoberta do corpo farto &#8211; <\/strong>2019 (MG)<\/p>\n<p>LUGAR DA MEM\u00d3RIA <strong>&#8211; \u00c1rea: cena curta.<br \/>\n<\/strong><strong>Status cor &#8211; status s\u00f3: uma vaga vis\u00e3o &#8211; <\/strong>2019 (MG)<\/p>\n<p>AFROGRAFIA &#8211; <strong>\u00c1rea: atua\u00e7\u00e3o.<br \/>\n<\/strong><strong>Mem\u00f3rias p\u00f3stumas de um neguinho &#8211;<\/strong> 2014 (MG)<\/p>\n<p>CENA EM SOMBRAS &#8211; <strong>\u00c1rea: cen\u00e1rio &#8211; figurino &#8211; luz.<br \/>\n<\/strong><strong>Fabulosa Nickary Aycker<\/strong> &#8211; 2021 (MG)<\/p>\n<p>PALCO EM NEGRO &#8211; <strong>\u00c1rea: espet\u00e1culo longa dura\u00e7\u00e3o.<br \/>\n<\/strong><strong>Al\u00e9m do rio<\/strong> &#8211; 2022 (MG)<\/p>\n<p>ANCESTRALIDADE &#8211; <strong>\u00c1rea: personalidade &#8211; homenagem &#8211; revela\u00e7\u00e3o.<br \/>\n<\/strong><strong>Grande Tinim<\/strong> &#8211; 2022 (MG)<br \/>\n<strong>Luiza Mahin&#8230; eu ainda continuo aqui<\/strong> &#8211; 2021 (RJ)<br \/>\n<strong>Esperando Zumbi<\/strong> &#8211; 2018 (DF)<br \/>\n<strong>Pele Negra, M\u00e1scaras Brancas<\/strong> &#8211; 2019 (BA)<br \/>\n<strong>Cabar\u00e9 da Rrrrra\u00e7a <\/strong>&#8211; 1997 (BA)<br \/>\n<strong>Cartas \u00e0 Madame Sat\u00e3 ou me desespero sem not\u00edcias suas <\/strong>&#8211; 2015 (SP)<br \/>\n<strong>C\u00e1rcere ou porque as mulheres viram b\u00fafalos &#8211;<\/strong> 2022 (SP)<br \/>\n<strong>Pe\u00e7a &#8211;<\/strong> 2019 (RS)<br \/>\n<strong>Jorge pra sempre Ver\u00e3o<\/strong> &#8211; 2022 (RJ)<br \/>\n<strong>Anc\u00e9s<\/strong> \u2013 2017 (MA)<br \/>\n<strong>Mergulhos em si &#8211;<\/strong> 2018 (ES)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>SUTURAS (2022) Tema que orienta a sele\u00e7\u00e3o dos projetos c\u00eanicos premiados,\u00a0referenciado em ROSANA PAULINO. a ideia de sutura que eu vou trabalhar n\u00e3o \u00e9 costura, n\u00e3o \u00e9 bordado, \u00e9 sutura&#8230; pensando no ponto de vista m\u00e9dico da sutura como uma coisa violenta, uma coisa que amarra, uma coisa que eu ainda vou trabalhar muito em [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-templates\/page_front-page.php","meta":{"footnotes":""},"class_list":["post-1853","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/premioledamariamartins.com\/index.php\/wp-json\/wp\/v2\/pages\/1853","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/premioledamariamartins.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/premioledamariamartins.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/premioledamariamartins.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/premioledamariamartins.com\/index.php\/wp-json\/wp\/v2\/comments?post=1853"}],"version-history":[{"count":17,"href":"https:\/\/premioledamariamartins.com\/index.php\/wp-json\/wp\/v2\/pages\/1853\/revisions"}],"predecessor-version":[{"id":1872,"href":"https:\/\/premioledamariamartins.com\/index.php\/wp-json\/wp\/v2\/pages\/1853\/revisions\/1872"}],"wp:attachment":[{"href":"https:\/\/premioledamariamartins.com\/index.php\/wp-json\/wp\/v2\/media?parent=1853"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}