{"id":1462,"date":"2021-05-20T13:51:45","date_gmt":"2021-05-20T16:51:45","guid":{"rendered":"http:\/\/premioledamariamartins.com\/?post_type=portfolio&#038;p=1462"},"modified":"2021-05-20T13:51:45","modified_gmt":"2021-05-20T16:51:45","slug":"ipe-amarelo","status":"publish","type":"portfolio","link":"https:\/\/premioledamariamartins.com\/index.php\/portfolio\/ipe-amarelo\/","title":{"rendered":"Ip\u00ea amarelo"},"content":{"rendered":"<p style=\"text-align: justify;\"><strong>Estilo: <\/strong>performance \/v\u00eddeo<\/p>\n<hr \/>\n<p style=\"text-align: justify;\"><strong>Sinopse: <\/strong>Os longos trajetos a p\u00e9 de Nazareth questionam a ideia de fronteiras e a escala global. Em L\u2019Arbre D\u2019Oublier, filmado em Ouidah, que sediou um dos maiores portos de tr\u00e1fico negreiro da \u00c1frica, o artista volteia 437 vezes a \u00c1rvore do Esquecimento, ao redor da qual os homens eram obrigados a dar sete voltas, num ritual para apagar a mem\u00f3ria do passado.  O gesto perform\u00e1tico, tentativa po\u00e9tica de rebobinar a hist\u00f3ria, \u00e9 repetido por Nazareth em torno de outras \u00e1rvores, na \u00c1frica e no Brasil, como um ip\u00ea amarelo, s\u00edmbolo nacional do pa\u00eds.<br \/>\nDispon\u00edvel em: http:\/\/webcache.googleusercontent.com\/search?q=cache:p_ecBhcJSIcJ:19festival.com\/paulonazareth\/+&#038;cd=6&#038;hl=pt-BR&#038;ct=clnk&#038;gl=br. Acesso em 19 de nov. de 2020.\n<\/p>\n<hr \/>\n<p style=\"text-align: justify;\"><strong>Ficha T\u00e9cnica: <\/strong>L\u2019Arbre d\u2019oublier, 2013 | V\u00eddeo, 27\u201931\u201d<br \/>\nCine \u00c1frica, 2012-2013 | V\u00eddeo, 7\u201934\u201d<br \/>\nCine Brasil, 2012-2013 | V\u00eddeo, 15\u201910\u201d<br \/>\nIp\u00ea Amarelo, 2012-2013 | V\u00eddeo, 10\u201934\u201d<br \/>\nPaulo Nazareth<br \/>\nLink\/v\u00eddeo: https:\/\/player.vimeo.com\/video\/199738536\n<\/p>\n<hr \/>\n<p style=\"text-align: justify;\"><strong>Dura\u00e7\u00e3o: <\/strong>10\u201934\u201d<\/p>\n<hr \/>\n<p style=\"text-align: justify;\"><strong>Foto: <\/strong>Frame v\u00eddeo Vimeo<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Estilo: performance \/v\u00eddeo Sinopse: Os longos trajetos a p\u00e9 de Nazareth questionam a ideia de fronteiras e a escala global. Em L\u2019Arbre D\u2019Oublier, filmado em Ouidah, que sediou um dos maiores portos de tr\u00e1fico negreiro da \u00c1frica, o artista volteia 437 vezes a \u00c1rvore do Esquecimento, ao redor da qual os homens eram obrigados a [&hellip;]<\/p>\n","protected":false},"featured_media":1463,"comment_status":"open","ping_status":"closed","template":"","portfolio_cat":[13],"portfolio_skill":[],"class_list":["post-1462","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio_cat-13"],"_links":{"self":[{"href":"https:\/\/premioledamariamartins.com\/index.php\/wp-json\/wp\/v2\/portfolio\/1462","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/premioledamariamartins.com\/index.php\/wp-json\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/premioledamariamartins.com\/index.php\/wp-json\/wp\/v2\/types\/portfolio"}],"replies":[{"embeddable":true,"href":"https:\/\/premioledamariamartins.com\/index.php\/wp-json\/wp\/v2\/comments?post=1462"}],"version-history":[{"count":1,"href":"https:\/\/premioledamariamartins.com\/index.php\/wp-json\/wp\/v2\/portfolio\/1462\/revisions"}],"predecessor-version":[{"id":1464,"href":"https:\/\/premioledamariamartins.com\/index.php\/wp-json\/wp\/v2\/portfolio\/1462\/revisions\/1464"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/premioledamariamartins.com\/index.php\/wp-json\/wp\/v2\/media\/1463"}],"wp:attachment":[{"href":"https:\/\/premioledamariamartins.com\/index.php\/wp-json\/wp\/v2\/media?parent=1462"}],"wp:term":[{"taxonomy":"portfolio_cat","embeddable":true,"href":"https:\/\/premioledamariamartins.com\/index.php\/wp-json\/wp\/v2\/portfolio_cat?post=1462"},{"taxonomy":"portfolio_skill","embeddable":true,"href":"https:\/\/premioledamariamartins.com\/index.php\/wp-json\/wp\/v2\/portfolio_skill?post=1462"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}