{"id":1633,"date":"2022-11-24T15:13:47","date_gmt":"2022-11-24T18:13:47","guid":{"rendered":"http:\/\/premioledamariamartins.com\/?post_type=portfolio&#038;p=1633"},"modified":"2024-11-16T20:42:51","modified_gmt":"2024-11-16T23:42:51","slug":"na-pele","status":"publish","type":"portfolio","link":"https:\/\/premioledamariamartins.com\/index.php\/portfolio\/na-pele\/","title":{"rendered":"Na Pele"},"content":{"rendered":"<p style=\"text-align: justify;\"><strong>Nome do Grupo, Companhia ou Artista: <span style=\"font-weight: 400;\">Nanda Sant\u2019Ana e Larissa Ferreira<\/span><\/strong><\/p>\n<hr \/>\n<p style=\"text-align: justify;\"><strong>Estilo: <span style=\"font-weight: 400;\">cena curta\/v\u00eddeo<\/span><\/strong><\/p>\n<hr \/>\n<p style=\"text-align: justify;\"><strong>Sinopse: <span style=\"font-weight: 400;\">Na Pele demonstra sua indigna\u00e7\u00e3o com o que \u00e9 corriqueiro e cotidiano, aponta o afeto, o afago, a preocupa\u00e7\u00e3o e as precau\u00e7\u00f5es. Em uma sociedade indiferente, o diferente \u00e9 o que corre da morte.<\/span><\/strong><\/p>\n<hr \/>\n<p style=\"text-align: justify;\"><strong>Ficha T\u00e9cnica: <span style=\"font-weight: 400;\">Dire\u00e7\u00e3o Coletiva | Elenco: Nanda Sant\u2019Ana e Larissa Ferreira | Texto: Recortes de textos do livro \u201cTeatro negro\u201d | M\u00fasicas: Sangue, suor e l\u00e1grimas \u2013 Max Souza (Part. Sarah Guedes, Kainn\u00e1 Taw\u00e1 e Djonga) | Dura\u00e7\u00e3o: 4 minutos 54 seg.<\/span><\/strong><\/p>\n<hr \/>\n<p><b>Fonte<\/b><span style=\"font-weight: 400;\">: <a href=\"http:\/\/segundapreta.com\/na-pele\/\">http:\/\/segundapreta.com\/na-pele\/<\/a>. Acesso em 30 de jan. de 2022.<\/span><\/p>\n<hr \/>\n<p style=\"text-align: justify;\"><strong>Foto:\u00a0<\/strong>Divulga\u00e7\u00e3o<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Nome do Grupo, Companhia ou Artista: Nanda Sant\u2019Ana e Larissa Ferreira Estilo: cena curta\/v\u00eddeo Sinopse: Na Pele demonstra sua indigna\u00e7\u00e3o com o que \u00e9 corriqueiro e cotidiano, aponta o afeto, o afago, a preocupa\u00e7\u00e3o e as precau\u00e7\u00f5es. Em uma sociedade indiferente, o diferente \u00e9 o que corre da morte. Ficha T\u00e9cnica: Dire\u00e7\u00e3o Coletiva | Elenco: [&hellip;]<\/p>\n","protected":false},"featured_media":1634,"comment_status":"closed","ping_status":"closed","template":"","portfolio_cat":[43],"portfolio_skill":[],"class_list":["post-1633","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio_cat-43"],"_links":{"self":[{"href":"https:\/\/premioledamariamartins.com\/index.php\/wp-json\/wp\/v2\/portfolio\/1633","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/premioledamariamartins.com\/index.php\/wp-json\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/premioledamariamartins.com\/index.php\/wp-json\/wp\/v2\/types\/portfolio"}],"replies":[{"embeddable":true,"href":"https:\/\/premioledamariamartins.com\/index.php\/wp-json\/wp\/v2\/comments?post=1633"}],"version-history":[{"count":1,"href":"https:\/\/premioledamariamartins.com\/index.php\/wp-json\/wp\/v2\/portfolio\/1633\/revisions"}],"predecessor-version":[{"id":1635,"href":"https:\/\/premioledamariamartins.com\/index.php\/wp-json\/wp\/v2\/portfolio\/1633\/revisions\/1635"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/premioledamariamartins.com\/index.php\/wp-json\/wp\/v2\/media\/1634"}],"wp:attachment":[{"href":"https:\/\/premioledamariamartins.com\/index.php\/wp-json\/wp\/v2\/media?parent=1633"}],"wp:term":[{"taxonomy":"portfolio_cat","embeddable":true,"href":"https:\/\/premioledamariamartins.com\/index.php\/wp-json\/wp\/v2\/portfolio_cat?post=1633"},{"taxonomy":"portfolio_skill","embeddable":true,"href":"https:\/\/premioledamariamartins.com\/index.php\/wp-json\/wp\/v2\/portfolio_skill?post=1633"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}