{"id":2154,"date":"2024-11-16T17:38:04","date_gmt":"2024-11-16T20:38:04","guid":{"rendered":"https:\/\/premioledamariamartins.com\/?post_type=portfolio&#038;p=2154"},"modified":"2024-11-16T20:26:42","modified_gmt":"2024-11-16T23:26:42","slug":"baile-corpo-oralidades-negras-ausentes","status":"publish","type":"portfolio","link":"https:\/\/premioledamariamartins.com\/index.php\/portfolio\/baile-corpo-oralidades-negras-ausentes\/","title":{"rendered":"Baile Corpo Oralidades Negras Ausentes"},"content":{"rendered":"<p style=\"text-align: justify;\"><strong>Estilo: <span style=\"font-weight: 400;\">performance<\/span><\/strong><\/p>\n<hr \/>\n<p style=\"text-align: justify;\"><strong>Sinopse: <span style=\"font-weight: 400;\">Performance Baile Corpo Oralidades Negras Ausentes, com Camilo Gan. A atra\u00e7\u00e3o \u00e9 resultante de uma pesquisa de investiga\u00e7\u00e3o reflexiva sobre a presen\u00e7a e a acessibilidade de pessoas negras \u00e0 Casa do Baile, sobretudo depois de sua inaugura\u00e7\u00e3o em 1942.<\/span><\/strong><\/p>\n<hr \/>\n<p style=\"text-align: justify;\"><strong>Ficha T\u00e9cnica: <span style=\"font-weight: 400;\">Concep\u00e7\u00e3o e atua\u00e7\u00e3o de Camilo Gan. Com participa\u00e7\u00e3o de Marcos Cardoso e Dj Camis.<\/span><\/strong><\/p>\n<hr \/>\n<p style=\"text-align: justify;\"><strong>Fonte: <\/strong><span style=\"font-weight: 400;\">https:\/\/www.instagram.com\/p\/C0M6g6VOOs6\/?img_index=3. e https:\/\/www.instagram.com\/p\/C0PTQCnulii\/.\u00a0 Acesso em 04 de abr. de 2024.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">https:\/\/www.youtube.com\/watch?v=NeZqJWTVmb4 . Acesso em 10 de maio de 2024.<\/span><\/p>\n<hr \/>\n<p style=\"text-align: justify;\"><strong>Foto: <span style=\"font-weight: 400;\">divulga\u00e7\u00e3o<\/span><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Estilo: performance Sinopse: Performance Baile Corpo Oralidades Negras Ausentes, com Camilo Gan. A atra\u00e7\u00e3o \u00e9 resultante de uma pesquisa de investiga\u00e7\u00e3o reflexiva sobre a presen\u00e7a e a acessibilidade de pessoas negras \u00e0 Casa do Baile, sobretudo depois de sua inaugura\u00e7\u00e3o em 1942. Ficha T\u00e9cnica: Concep\u00e7\u00e3o e atua\u00e7\u00e3o de Camilo Gan. Com participa\u00e7\u00e3o de Marcos Cardoso [&hellip;]<\/p>\n","protected":false},"featured_media":2155,"comment_status":"closed","ping_status":"closed","template":"","portfolio_cat":[45],"portfolio_skill":[],"class_list":["post-2154","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio_cat-45"],"_links":{"self":[{"href":"https:\/\/premioledamariamartins.com\/index.php\/wp-json\/wp\/v2\/portfolio\/2154","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/premioledamariamartins.com\/index.php\/wp-json\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/premioledamariamartins.com\/index.php\/wp-json\/wp\/v2\/types\/portfolio"}],"replies":[{"embeddable":true,"href":"https:\/\/premioledamariamartins.com\/index.php\/wp-json\/wp\/v2\/comments?post=2154"}],"version-history":[{"count":1,"href":"https:\/\/premioledamariamartins.com\/index.php\/wp-json\/wp\/v2\/portfolio\/2154\/revisions"}],"predecessor-version":[{"id":2156,"href":"https:\/\/premioledamariamartins.com\/index.php\/wp-json\/wp\/v2\/portfolio\/2154\/revisions\/2156"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/premioledamariamartins.com\/index.php\/wp-json\/wp\/v2\/media\/2155"}],"wp:attachment":[{"href":"https:\/\/premioledamariamartins.com\/index.php\/wp-json\/wp\/v2\/media?parent=2154"}],"wp:term":[{"taxonomy":"portfolio_cat","embeddable":true,"href":"https:\/\/premioledamariamartins.com\/index.php\/wp-json\/wp\/v2\/portfolio_cat?post=2154"},{"taxonomy":"portfolio_skill","embeddable":true,"href":"https:\/\/premioledamariamartins.com\/index.php\/wp-json\/wp\/v2\/portfolio_skill?post=2154"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}